1952

Pat & Patachon - Silent movies 1921-1931


General

Titulo original: Pat & Patachon - Silent movies 1921-1931
Nacionalidad: Dinamarca
Año de producción: 1921
Género: Comedia

Otras personas

Director: Lau Lauritzen; Gustaf Molander; Peter Urban Gad; Monty Banks; Valdemar Andersen; W.P.Kellino
Escritor: Lau Lauritzen; Torben Krogh; Paul Sarauw; Svend Rindom; Alice O'Fredericks; Sydney Scott; Rex Taylor; Valdemar Andersen; Val Valentine; Lau Lauritzen Jr.
Productor/Estudio: Palladium Films
Compositor:
Fotografia: Hugo J. Fischer; Carlo Bentsen; Julius Jaenzon; Valdemar Christensen; Walter Blakeley; Frederik Fuglsang; T.Sparkuhl; Lau Lauritzen Jr.

Funcionalidades

Duración:
Pistas de idioma: Muda
Idiomas de los subtítulos:
Modo de color: Blanco y negro
Fuente ripeo: DVD
Soporte: DivX
Tipo archivo: AVI
Calidad imagen: Buena
Peso:

Reparto

  • Harald Madsen
  • Carl Schenstrøm

Sinopsis

3.Film, Flirt og Forlovelse( 1921)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J. Fischer

4.Sol,Sommer og Studiner (1922)
Direction:Lau Lauritzen Sr.
Screenplay:Torben Krogh
Photography:Hugo J.Fischer

7.Mellem muntre Musikanter (1922)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer

10.Vore Venners Vinter (1923)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer,Carlo Bentsen

11.Daarskab,Dyd og Driverten (1923)
Direction:Lau Lauritzen Sr.
Screenplay:A.V.Olsen
Photography:Hugo J.Fischer,Carlo Bentsen

12.Lille Lise Let-paa-Taa (1924)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer

13.Professor Petersens Plejeborn (1924)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer.Carlo Bentsen

14.Raske Riviera Rejsende (1924)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer

15.Olle Opfinders Offer (1924)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Carlo Bentsen

16.Takt,Tone og Tosser (1925)
Direction:Lau Lauritzen Sr.
Screenplay:Paul Sarauw,Svend Rindom
Photography:Hugo J.Fischer

17.Polis Paulus' Paskasmall (1925)
Direction:Gustan Molander
Photography:Axel Lindblom

19.Gronkobings Glade Gavtyve (1925)
Direction:Lau Lauritzen Sr.
Screenplay:A.V.Olsen
Photography:Hugo J.Fischer.Carlo Bentsen

20.Ulvejaegerne (1926)
Direction:Lau Lauritzen Sr.
Screenplay:A.V.Olsen
Photography:Hugo J.Fischer,Carlo Bentsen

21.Dodsbokseren (1926)
Direction:Lau Lauritzen Sr.
Screenplay;A.V.Olsen
Photography:Hugo J.Fischer,Valdemar Christensen

24.Don Quixote (1926)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer,Carlo Bentsen,Julius Jaenzon

26.Lykkehjulet (1926)
Direction:Urban Gad
Screenplay:A.V.Olsen
Photography:Carlo Bentsen,Valdemar Christensen

27.Vester Vov-Vov (1927)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer,Valdemar Christensen

28.Tordenstenen (1927)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Hugo J.Fischer,Vardemar Christensen

29.Kongen af Pelikanien (1928)
Direction/Screenplay:Valdemar Andersen
Photography:Carlo Bentsen,Valdemar Christensen

30.Kraft og Skonhed (1928)
Direction:Lau LauritzenSr.
Screenplay:Alice O'Fredericks
Photography:Carlo Bentsen,Valdemar Christensen

31.Filmens Helte (1928)
Direction:Lau Lauritzen Sr.
Screenplay:Alice O'Fredericks
Photography:Carlo Bentsen,Valdemar Christensen

32.Coctails (1928)
Direction:Monty Banks
Screenplay:Sydney Scott,Rex Taylor
Photography:Walter Blakeley

33.Kys,Klap og Kommers (1929)
Direction:Lau Lauritzen Sr.
Screenplay:Valdemar Andersen
Photography:Carlo Bentsen ,Valdemar Christensen

34.Hallo,Afrika Forude (1929)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Carlo Bentsen,Frederik Fuglsang

35.The Rocket Bus (1929)
Direction:W.P.Kellino
Screenplay:Val Valentine
Photography:T.Sparkuhl

36.Hojt paa en Kvist (1929)
Direction:Lau Lauritzen Sr.
Screenplay:A.V.Olsen,Alice O'Fredericks
Photography:Carlo Bentsen,Einar Olsen

37.Herr Tell og Son (1930)
Direction/Screenplay:Lau Lauritzen Sr.
Photography:Carlo Bentsen,Einar Olsen

39.Pas paa Pigerne (1930)
Direction:Lau Lauritzen Sr.
Screenplay:Lau Lauritzen Jr.,Alice O'Fredericks
Photography:Carlo Bentsen,Einar Olsen

40.Krudt med Knalt (1931)
Direction:Lau Lauritzen Sr.
Screenplay:Lau Lauritzen Jr.,Alice O'Frederick
Photography:Lau Lauritzen Jr.,Carlo Bentsen

41.I Kantonnement (1931)
Direction:Lau Lauritzen Sr.
Screenplay:Lau Lauritzen Jr.,Alice O'Fredericks
Photography:Lau Lauritzen Jr.,Carlo Bentsen

43.Han, Hun og Hamlet (1932)

50-I de gode gamle Dage (1940)

Comentarios

Comedias protagonizadas por Fyrtarnet (Schenstrøm) y Bivognen (Madsen), dos personajes conocidos como "Fy y Bi" (y en algunos países como Pat y Patachon), que interpretaron juntos más de cincuenta películas.

The Danish double-act Fy og Bi (Fyrtårnet og Bivognen) was the most famous comedy couple of the European silent cinema. Long Carl Schenstrom (1881-1942) and short Harald Madsen (1890-1949) became very popular in the 1920’s with their short slapstick films.
In Germany and Austria they were known as Pat & Patachon, in the Netherlands as Watt & Halfwatt, in France as Doublepatte et Patachon, in Great Britain as Long & Short, in Sweden as Telegrafstopen och Tilhengern and in the US as Ole & Aksel. Before Abbott & Costello, Martin & Lewis, and Laurel & Hardy, Fy & Bi were the world's first internationally famous comedy team. In contrast to Laurel & Hardy, who appeared in suits and bowlers, they were vagabonds. They ran around in torn clothes or used an old rope as a belt.
Carl Schenstrom (Fy) joined the Nordisk Film Company in 1910. There he became acquainted with director Lau Lauritzen, with whom he changed to Palladium in 1920. The following year he and Harald Madsen (Bi) created Fyrtårnet og Bivognen in the short comedy Film, Flirt og forlovelse/The Film and the flirt (1921, Lau Lauritzen). Madsen had already worked as a circus artist since 1904. From 1917 he appeared in movies of the Svensk Filmindustri and changed in 1920 to Palladium, where he worked as a comedian.
After a series of 20 minutes films in Denmark Carl Schenstrom and Harald Madsen branched out into features produced throughout Europe. Their first international performance was a small, very funny part as two drunken musicians in the film classic Der letzte Mann/The Last Laugh (1924, Friedrich Wilhelm Murnau). By the late 1920's, their European popularity rivaled Charlie Chaplin's, being particular favorites of Soviet and German audiences. 1000 Worte Deutsch/1000 german Words (1930, Georg Jacoby) was their sound debut. The outbreak of WW II brought their film activities to a near halt. Their last film as a team was the Danish I gode gamle dage/In the Good, Old Days (1940, Johan Jacobsen). Madsens’s health was affected by protracted illnesses. The circus he founded in later years went bust. He became afraid that the floodlight of the film studios would affect his health which made it difficult to shoot movies with him. After Schenstrom died in 1947 Madsen tried to revive the legendary duo with a new partner, Carl Reinholdz, but he died the following year at the age of 59.